





What to say about a piece you just made, and how to post it without feeling like a fraud
You make the work. Then the phone is in your hand and you don't know what to write under it, so you post it with three words, or not at all. This guide is about that moment: the four things a piece can say, plain words, the work behind the work, the story you've been leaving out, and how to post without the feeling that you're pretending.
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For artists who make work and don't know what to say about it: painters, illustrators, sculptors, ceramicists, photographers, designers.
Not for people who enjoy looking at art but don't make it, or anyone looking for a way to go viral.
The exit test, printed at the back of the guide. Work through the guide for 4 weeks, then check every line. All of them held, every week: you're ready for the next one. Every line is something you do, never a result you can't control: no follower counts, no sales targets. Standards version 1.0.
| Every piece told | Every piece you published went out with its story: what it is, why you made it, how, and one detail to look for. |
|---|---|
| Process shown | At least one post a week showed the work being made, not only finished. |
| Published | Your own work published at least twice a week, every week. |
| The statement | An artist statement under 100 words, read by 3 people who don't know your work, rewritten until each could say it back. |
| The story bank | At least 20 stories banked: from the studio, from your life, from the making. |
| The question | Your signature question asked at least 5 times, and the answers kept. |
| Coach, not critic | Every week's debrief written in the coach's voice: a fact and a fix, never a verdict. |
Three guides, in order. Each one's entry test is the one before's exit test. Telling comes first, because more reach for work nobody understands is just more people scrolling past.
Start free: the 7-day artist start, seven of the graded frameworks behind this guide, one a day.
The first one whose line isn't true for you yet. Tell the Work: you make work and don't know what to say about it. Show the Work: your work is told, and the wrong people (or nobody) see it. Sell the Work: it's told and seen, and you want to start selling it. Not sure? Start with Tell the Work: its exit test tells you in four weeks.
Nothing can promise that honestly, and these guides don't. They give the effort a shape: telling, showing and selling, every week, on a system. Living on your art comes in due time, if you put in the effort.
No. Artist College is a media and education brand, not an accredited institution. These are guides you work through yourself, with worksheets and an exit test, and nothing in them leads to a qualification.
Every chapter is graded. Strong and promising chapters rest on research named at the back; very little of it was done on artists, and the chapters say so. Experience chapters rest on practice. The exit tests are our standard, version 1.0: when readers' results say a line is wrong, it changes, and you get the new edition free.
Yes, from 13. Anything involving selling, payments or agreements happens with a parent or guardian, on their account, and the guides say where.
If it isn't what you expected, reply to your receipt. No discounts, ever: the price is the price for everyone.